The rise of a Pakistani actor and influencer : New York’s Franklin Livingston

The ascent of a Pakistani actor and influencer : New York’s Franklin Livingston: I had the pleasure of interviewing Franklin Livingston of LPI Films®, Bambi Films Inc., and Listening Eyes Theater Company. His productions typically showcase people of color as the classic heroic roles and all the stories developed are based on true events. Mr. Livingston believes in empowering the characters generally known as ethnic minorities because they are the backbone to the functionality of the U.S. as a community. However, standard theater and film still continues to portray Caucasian men and women in the dominant roles. Find additional info on Franklin Livingston New York.

Franklin Livingston reveals a stunning confession about his relocation to New York City, where he continues to witness several aspiring actors who are filled with the yearning to be seen on screen. It didn’t matter if it was a short film or a top Hollywood film. Although, most of them desire to feature in Hollywood films, but don’t get a chance to act in an ultra low budget project. This reason is causing some of them to develop mental health conditions for cloning on to such a wait.

Franklin Livingston grew up as a religious minority in Pakistan. He constantly faced persecution and prejudice, which shaped him to be a unique human being. He is a wounded healer — someone who embraces the people from all walks of life, empowering them to be whoever they want. Like Pakistan, in the United States, Franklin is once again a minority. But this time, it is not because of his religious affiliation but his ethnicity, where he has experienced terrible racism and discrimination on all levels. Livingston utilizes these experiences to evolve into a humanitarian advocate, share his struggles, and much more through his films, plays, and social media content.

For our readers that may be interested in acting, filmmaking, and producing, what advice can you give entrepreneurs just starting out in the industry? Be sure to get the right educational foundation. Research acting schools that you are considering. When you have completed your education there, be sure you never stop self-training. In what ways has the Covid-19 pandemic had an effect your career in the movie industry?Speaking as both an actor that has auditioned with other actors, that turned out to not be so great when we got on set, and as a producer, auditions that are done mostly via zoom now, are awful for picking up on so many of the meaningful but more subtle details that you notice when auditioning in person. In audition rooms, you can see the person enter, you see how they walk and stand. Were their hip sockets relaxed, shoulders relaxed, jaw relaxed? Do they look the part?

Especially in our current time — I believe that the utmost importance should be placed on awareness and empathy. My travels, experiences, and interactions have shown me that mainstream American Media and Art are just not illustrating the true human social condition and political climate we have been facing. The teams working with my companies are producing relentlessly to eliminate that void and fill it with compassion, enlightenment, and masterful storytelling.

Franklin has had an unmatched opportunity to represent a growing number of Pakistani people in the US who are under-represented in Hollywood. Currently, there is no person of Pakistani origin in Hollywood’s big-budget movies and TV networks that has the background training Franklin has. Currently, Riz Ahmed has been in the news a lot due to his dramatic acting. However, Riz is a British-Pakistani which makes him distinctly different from Franklin Livingston. Franklin’s unique accent, enchanting voice, alluring charisma, and captivating presence makes him stand out among all actors Hollywood has cast from Southeast Asian backgrounds.

Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that? I was in a meeting with my first TV commercial agents. They asked me if I was working on getting rid of my accent. They said that getting work without having a native sounding American vernacular is impossible. I laughed to myself and replied bluntly that I don’t believe I could ever eliminate my accent and that local people tend to search for a foreign accent when they need a medical specialist or a cosmetic surgeon in Beverly Hills. I think it’s only the Media, the formula, and the system that believes that actors shouldn’t have their native accents if they wanted to play leads in the local projects. Upon seeing their facial expressions, I realized my honesty was a mistake.

Franklin has studied a multitude of acting techniques at Guildhall School of Music and Drama London, Moscow Arts Theater, New York Film Academy, Atlantic Acting School, the Meisner Studio of Tisch School of the Arts New York of New York University, and Yale University where he received training in acting, filmmaking, and directing as well. Franklin is a true New Yorker and enjoys exploring the city on foot and via subway absorbing the incomparable diversity of NYC. He loves to engage the local communities in breaking boundaries and building connections. When not on a film set or involved in community development, you will catch Franklin researching the past and the present anthropology, cooking, traveling, sightseeing, motorcycling, road tripping through the U.S., or maybe even jet-skiing.